"We Are The New Vintage"
Tags:
Filmmonkey,
Congrats on the purchase.
Now you get to experience the wonderful world of Canon L glass.
Oh that pretty pretty red stripe.
Remember "L" stands for luxury.
Go out there and go buy the 70-200 f/2.8 IS.
Filmmonkey
Here's something you should always remember.
If you're going to spend money - spend it glass.
Bodies come and go.
With digital they're nothing but chips boxes.
But glass last forever.
I shoot with lenses my father purchased in the early 1960's.
I shoot with a D80 its not that im trying to convert its more about hearing different arguements.
Shattered Stories said:What type of Nikon do you have? If you are talking about a SLR i would stick with the Nikon as you would save money on buying lenses.
Flat Black
I got to demo a H3D for a day, and after working with it.
Sad to say I'm not all that impressed.
I'm speaking as a owner of a couple 500's and 503's.
The image quality was ok but not what you'd expect from a $30,000 camera.
It is better than a 1ds MkIII, but not better than a Phase One back on my Mamiya 645.
And I just didn't like the "plastickiness" of it.
It doesn't feel like a Swedish Hassy.
That probably because Hassy is now owned by Shriro, a Chinese company, and the cameras are now made by Fuji.
You can actually buy the same camera in Japan with the Fuji name, and it's alot less expensive than the one with the Hassy label.
Wonder if this looks familiar?
One of the most annoying thing about the H3D is that you're forced to use the Hassy digital back and all future H-system lenses will only work with the H3D.
There is absolutely no backwards compatibility.
I must say it is a pretty camera and it does impress your photog friend.
But since you're a Nikon shooter, why not just wait for the D3x or if you don't already have a Hassy system go to a Mamiya 645AF with a Phase One back.
SFPJ
© 2024 Created by PL Team. Powered by
ABOUT | WHY YOU'LL ♥ PL | INFO / QUICK LINKS |
"We are the new vintage. Uniting the
|
|
|