Custom Metal Accessoriz'en & the Tattooed Skin You Find Me In (I wear what fits me, mostly darkly, like a slave fits the blues)
Profile Information:
What best describes your role in the industry?
Artist, Designer, Just a Fan, Photographer
Tell us a little about yourself! (details or get declined)
I descend from the poetic heritage of Francis Bacon, as my-family line descends from Lord Chancellor Francis Bacon bestowed land and title from St. Albany (A.K.A. Verulam). I believe that creative genes passed on to me from Francis Bacon. With over 700 hundred poems, many 1 Acts, 3 Plays
My most common source of inspiration comes when my dark female muse pays a visit. While I am a writer first and foremost, I like to use potent images as much as imagery. I appreciate pin-up art as an origin for the western tattoo. I love to shop, and I'm more of a clothes hoarder than any woman I've EVER known. I craft metal and make brands (for people, not cows). I am also an artist (I bear some of my own ink), and photographer.
How did you find PL? (Who referred you?, What site was the link on? What keywords did you search?) Be detailed, It helps us advertise and thank people!
Welcome to PinUp Lifestyle darlin'. If you have any questions, feel free to ask me or any of the other Madams, it's what we're here for! And be sure to check out the forum and join us in chat! Can't wait to get to know you better. xoxox
Thank you one and all for the warm welcome. I've been busy writing a play in Iambic, and working on some art. ....I am sorry I didn't respond earlier.
I'm hoping to find some inspiration in pin-up artwork for costume style suggestions and fashion ideas that I can provide in my play's annotations. I'm looking for "seasonal looks" for a sexy goddess version of "Mother Nature" (she requires 4 costumes, or MAYBE one really adaptable one with differing yet strong accessories).
I need my Queen Elizabeth to have a silhouette-thin younger garb, and appear later to be along in her years stylistically, while still appearing royally-provocative.
Also, there is a trio of fem characters that require distinct styling queues.... Each of the Three Muses should evoke immediate perceptions about their realm of creative influence [one expressing "Love and Loss", one expressing "Control vs. Freedom", and the last one expressing "Charisma - Rhythm & Coordinated Selection"].
All non-muse costuming needs to be period-esque, of say 16th Century Europe. I'm relying on distinct icon props or transcendent fashion-metaphors to connect the audience to each character's underlying character-traits. ...I think that best suited might be juxtaposed concepts (like leather/lace, or the constraints of a bodice attached to a flamboyant collar-line, or ribbed-dresses that expose upper-leg), and that this dissidence will best suit the dualism of the play. ....Free to use 16th Century Europe, not just England . . . . So as ideas: gypsy-looks would work; French bourgois will also likely work; as would sexy-ecclesiastic; and Mediterranean-nymph....
Time to start browsing for ideas, textile examples, existing photos, etc.
If you see anything that you think fits any of the before mentioned concepts, or know of good resource for conceptual/costume fashion, then please advise me as to where I should look or who I should talk with.
You should post this in the forum. Way more people will see it, and hopefully you can find some people to help. Good luck, sounds like an awesome project.
I am currently looking for garb and style-lines to address artistic endeavor. I welcome collaboration if you can 'suit' my characters in your clever.
Project 1:
I'm in the process of writing an Elizabethan-era play, set amongst the bawdiness of Shakespeare's day. The characterizations rely upon what is hemmed or costumed together; an attire of agreeable juxtapositions worth fifty percent success-factor in whether, over-arching themes, just as bound to interplay, as interaction such as between fire/water/wood, or deciding factors for rock/paper/scissors, any magic-tre`, success impart measured by what costume-styles say. Visages of three polytheist muse gods, fem-dom divinity must bring to bear their traits, Speak magnitudes though saying much less than counterpart human roles must state.
[Happy to share with anyone interested in collaboration or merely intrigued.]
Project 2:
[As for the my other artistic endeavor...]
I am pulling together 10 years my unpublished works into a new book of poetry, I've realized in an lecture on artistic confluence how conjoined with imagery, leads reader toward the eluded and demystifies discovery. Confluence continues a theme throughout abstraction of no-less than forms of artistry. Combine how readers reason out a poem with developing photography. My muse most often manifests as a dark, effeminate guise. Photos capture her in a moment, her voice from changed perspectives and time will arise. Confluence can present her entirely as I realize.
Designers and models while I have poetry that is sexually charged for certain
I'm thinking provocative, not lurid, select reveals of compromise-free skin
Some poems invoke Spam-and-eggs Americana, perfect themes for pin-up modelin'
Even have a couple of "Marry-Jane" or "Daisy Dukes" themed works in which I got stuck revelin'
And my dark enchantress, born to imbue truth in all my purpose -- to ensure inspiration
Model
Roxy Tart {PL Team / Comm. Mgr}
Oct 3, 2009
Peach Cupcakes
Oct 11, 2009
Wes Dirth
I'm hoping to find some inspiration in pin-up artwork for costume style suggestions and fashion ideas that I can provide in my play's annotations. I'm looking for "seasonal looks" for a sexy goddess version of "Mother Nature" (she requires 4 costumes, or MAYBE one really adaptable one with differing yet strong accessories).
I need my Queen Elizabeth to have a silhouette-thin younger garb, and appear later to be along in her years stylistically, while still appearing royally-provocative.
Also, there is a trio of fem characters that require distinct styling queues.... Each of the Three Muses should evoke immediate perceptions about their realm of creative influence [one expressing "Love and Loss", one expressing "Control vs. Freedom", and the last one expressing "Charisma - Rhythm & Coordinated Selection"].
All non-muse costuming needs to be period-esque, of say 16th Century Europe. I'm relying on distinct icon props or transcendent fashion-metaphors to connect the audience to each character's underlying character-traits. ...I think that best suited might be juxtaposed concepts (like leather/lace, or the constraints of a bodice attached to a flamboyant collar-line, or ribbed-dresses that expose upper-leg), and that this dissidence will best suit the dualism of the play. ....Free to use 16th Century Europe, not just England . . . . So as ideas: gypsy-looks would work; French bourgois will also likely work; as would sexy-ecclesiastic; and Mediterranean-nymph....
Time to start browsing for ideas, textile examples, existing photos, etc.
If you see anything that you think fits any of the before mentioned concepts, or know of good resource for conceptual/costume fashion, then please advise me as to where I should look or who I should talk with.
My thanks,
Shaddow
Oct 17, 2009
Model
Roxy Tart {PL Team / Comm. Mgr}
Oct 18, 2009
Wes Dirth
Project 1:
I'm in the process of writing an Elizabethan-era play, set amongst the bawdiness of Shakespeare's day. The characterizations rely upon what is hemmed or costumed together; an attire of agreeable juxtapositions worth fifty percent success-factor in whether, over-arching themes, just as bound to interplay, as interaction such as between fire/water/wood, or deciding factors for rock/paper/scissors, any magic-tre`, success impart measured by what costume-styles say. Visages of three polytheist muse gods, fem-dom divinity must bring to bear their traits, Speak magnitudes though saying much less than counterpart human roles must state.
[Happy to share with anyone interested in collaboration or merely intrigued.]
Project 2:
[As for the my other artistic endeavor...]
I am pulling together 10 years my unpublished works into a new book of poetry, I've realized in an lecture on artistic confluence how conjoined with imagery, leads reader toward the eluded and demystifies discovery. Confluence continues a theme throughout abstraction of no-less than forms of artistry. Combine how readers reason out a poem with developing photography. My muse most often manifests as a dark, effeminate guise. Photos capture her in a moment, her voice from changed perspectives and time will arise. Confluence can present her entirely as I realize.
Designers and models while I have poetry that is sexually charged for certain
I'm thinking provocative, not lurid, select reveals of compromise-free skin
Some poems invoke Spam-and-eggs Americana, perfect themes for pin-up modelin'
Even have a couple of "Marry-Jane" or "Daisy Dukes" themed works in which I got stuck revelin'
And my dark enchantress, born to imbue truth in all my purpose -- to ensure inspiration
Here's to trolling blogs for a bite!
- Wes
Oct 23, 2009
Model
Black Kat{★}
xoxo kat
Oct 24, 2009